My husband and I run The Starship Cat, a small business selling at various kinds of fannish and nerdy events. For the most part we stay in the Midwest, although an exceptional show can take us further afield. As a result, we have an unusual perspective on the economy. As Jim Baen was fond of saying in reference to writers, we’re competing for “Joe’s beer money.” However, we’re doing it at events scattered widely across a region, rather than a single storefront, or an online store that can potentially reach the entire world. This means we’re selling in a wide variety of areas, but dealing directly with customers and observing their decision-making process as I interact with them. Also, convention dealers talk to each other, both at conventions (usually during set-up hours in the morning) and online in various public and private fora. We give each other heads-up information about venues and promoters, but we also let each other know how sales went at our shows. This year our company sold at fifteen conventions and two small outdoor events. Of our conventions, four were anime conventions, six were comic cons, one was a media con, two were traditional science fiction conventions, one was a pulp fiction convention, and one was a writers’ convention.Read the rest at According to Hoyt.
Tuesday, December 3, 2019
Guest Post by Me at According to Hoyt
My write-up of the changing economics of the convention scene went up today at the blog of Sarah A. Hoyt.
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